In her Centre Dental series, Nora Schultz turns to the dematerialization and activation of sculptures. Filmed with drone cameras and moved by hidden performers, the haptic quality of the sculptures recedes into the background in service of the overall appearance of the film, allowing the sculptures to become temporary actors in the film. Sequentiality and setting are decisive for this body of work, which has been reconstituted in the space of the Kunstverein’s evolving installation. Studio Manuel Raeder designed in collaboration with the artist an homonymous magazine, Centre Dental, that forms part of the work as well as the installation at Kunstverein Braunschweig.
