Emerging in the late 1970s, the multistranded cultural phenomenon that came to be known as Postmodernism proclaimed the death of modernism. Postmodern architects and designers eschewed the rigid ‘international’ style that many felt dehumanized its inhabitants and cities, promoting a belief that design need not follow rules. Instead, they reveled in borrowing from the past, celebrated color, pattern and ad-hocism, and produced a dazzling spectrum of objects, spaces and buildings in the process. It became a style of its own, the defining look of the 1980s, and placed the names and objects of Denise Scott Brown, Ettore Sottsass, Charles Jencks, Alessandro Mendini and Michael Graves in our homes. Today, aided by a return to an interest in the hand-made, the aesthetics and the preoccupations of the style are enjoying a revival in a new generation of producers and an older generation of collectors.