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The publication of Dodo exemplifies these ideas, owing both to the artists’ own interest in the nature and possibilities of print and to the dialogue established between curator and designer. The book is structured along three axes: the artists’ exploration of exhumation and the re-publication of traces; an approach to and reading of the context through time; and the way the questions and findings of the work group are displaced or translated into new territories and beings: the dodo and the extinction of a landscape.

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