{"product_id":"system-issue-24","title":"System, issue 24","description":"\u003cp\u003eAutumn\/Winter 2025-2026\u003cbr\u003e\n\u003cbr\u003e\nFashion has always been deeply invested in the task of seeing, and being seen. Every notable designer appointment sparks two parallel questions: ‘What will the clothes look like?’ and ‘What will the imagery be?’ More than ever, our relationship to fashion is being shaped by image as much as it is by clothes – arguably more so. Which is why, with the reshuffling of the creative director cards being played out this season, \u003ci\u003eSystem\u003c\/i\u003echose to shift its attention towards fashion photography.\u003c\/p\u003e\n\n\u003cp\u003eAt the heart of this economy of attention are the fashion photographers themselves. Their field of expertise can be genuinely transformative, a powerful asset for designers and brands. Yet fashion photography’s role, practice and status are naturally evolving with the times, and its rapport with the future will of course be shaped by technology and economics as much as identity and taste. With this in mind, \u003ci\u003eSystem\u003c\/i\u003e has spent the past months speaking with a range of fashion photographers to hear their personal stories and reflections on their work. \u003c\/p\u003e\n\n\u003cp\u003eAmong them, Juergen Teller, Inez \u0026amp; Vinoodh, Carlijn Jacobs, David Sims, Nadia Lee Cohen, Luis Alberto Rodriguez, Malick Bodian, Marili Andre, Zhong Lin, Nick Knight \u0026amp; Simon Foxton, the Sorrenti family, Tyrone Lebon, Angela Hill… Different voices, generations, contexts and creative expressions, presented side by side. A portrait of photography in fashion, so to speak.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n","brand":"System","offers":[{"title":"642633971670","offer_id":51474836291883,"sku":"642633971670","price":1135.0,"currency_code":"MXN","in_stock":true}],"url":"https:\/\/casabosques.net\/products\/system-issue-24","provider":"Casa Bosques Librería","version":"1.0","type":"link"}