Since the 1960s, art and architecture have experienced a series of radical and reciprocal trades. While artists have simulated ‘architectural’ means like plans and models, built structures and pavilions outside art institutions, or intervened in urban and public spaces, architects have employed ‘artistic’ strategies inside art institutions, in exhibitions, biennales and art events. At the same time, art galleries and museums have combined both activities in an interdisciplinary, hybrid field, playing with the conditional differences between inside and outside the institution.