The book’s centerpiece is a stunning set of reproductions that document the textile design archival collection in its entirety and invite appreciation and research by scholars and design enthusiasts alike. The collection is grounded historically by a rigorous account of the collective and its members by scholar of Argentine modern and contemporary art María José Herrera, who draws parallels between the artists’ work in geometric abstraction and the patterns they designed for manufacturers. Herrera’s history of these four artists is complemented by curators Robert Wiesenberger’s and Lynne Cooke’s essays, which locate the Buen Diseño project within the narrative of international modernisms across visual and applied arts. Case studies by textile designer Suzanne Tick and artist Liam Gillick root the publication in visual and material analyses of specific patterns within the portfolio.